Audio Converter
- Free
- No upload
- No watermark
Quick answer
An audio converter changes a sound file from one format to another — MP3, WAV, FLAC, M4A, AAC or OGG — while you choose the output and, for lossy targets, the bitrate. This one runs entirely in your browser using ffmpeg.wasm, so nothing is uploaded to any server. The engine is a one-time ~10 MB download on first use; after that every conversion runs instantly and offline.
Step by step
How to audio converter
- 01
Add your audio file
Drag a file onto the drop zone or browse for it. The converter reads MP3, WAV, FLAC, M4A, AAC, OGG, Opus and more, detecting the codec from the file itself.
- 02
Pick output format and bitrate
Choose the target format. For lossy outputs (MP3, AAC, OGG) set a bitrate — 128 kbps for speech, 192 kbps as a music default, up to 320 kbps for maximum MP3 quality.
- 03
Convert and download
The engine transcodes the file locally and hands you the result to download. Nothing leaves your device at any stage.
In depth
Lossy or lossless — which output should you pick?
Every audio format falls into one of two camps, and choosing the right one is the whole decision. Lossy formats (MP3, AAC, OGG) throw away sound your ear is unlikely to notice, so files are small — perfect for phones, streaming and email. Lossless formats (FLAC, ALAC) and uncompressed ones (WAV, AIFF) keep every sample, so they are large but bit-perfect — the right choice for editing, mastering and archiving. Convert to lossy when size matters; keep lossless when quality must never degrade.
| Format | Type | Relative size | Best for |
|---|---|---|---|
| WAV | Uncompressed PCM | ≈ 10× MP3 | Editing, mastering, DAW work |
| FLAC | Lossless compressed | ≈ 5× MP3 | Archiving, audiophile libraries |
| MP3 | Lossy | Baseline | Universal playback anywhere |
| AAC / M4A | Lossy | ~ MP3, higher quality/bit | Apple devices, modern players |
| OGG | Lossy (Vorbis) | ~ MP3 or smaller | Open-source apps, games |
| Opus | Lossy | Smallest at low rates | Voice, VoIP, podcasts |
What bitrate should you choose for a lossy file?
Bitrate is how many kilobits per second the encoder is allowed to spend, and it trades directly against file size. There is no universally correct number — it depends on the material:
- 128 kbps — speech, audiobooks and podcasts. Voices are simple signals and rarely need more.
- 192 kbps — a sensible default for music that most listeners cannot tell from the source on everyday gear.
- 320 kbps — the MP3 ceiling, for critical listening or when you will re-encode later and want maximum headroom.
Can you convert the audio out of a video?
This tool works on audio files, but if your sound is trapped inside an MP4 or MOV, first extract the audio from a video to pull a clean audio track, then bring it here to convert to any format you like. For a quick one-step MP3, the video to MP3 tool does the extraction and encoding together.
Is my audio uploaded to a server?
No. The ffmpeg.wasm engine runs as WebAssembly inside your browser tab, so the file is decoded and re-encoded on your own CPU and never transmitted. You can prove it: open your browser DevTools, switch to the Network tab, and convert a file — after the one-time engine download you will see no upload of your audio. That matters for unreleased tracks, client masters and private recordings.
Related audio tools
If your goal is only to make a file smaller rather than change its format, the audio compressor lowers the bitrate with a live size preview. To target MP3 specifically, the MP3 converter is tuned for it, and you can trim audio before converting to avoid encoding parts you will discard.
Your files never leave your device
Processed locally in your browser — nothing is uploaded. You can verify it yourself: open your browser’s developer tools, watch the Network tab, and use the tool — no upload request is ever made.
- No file is ever uploaded to a server
- Works offline after the first visit
- No account, no watermark, no limits
A little more clarity
Frequently asked questions
01Which audio format is best?
It depends on use. MP3 for universal playback, AAC/M4A for Apple devices, FLAC for lossless archiving, and WAV for editing. There is no single best format — pick lossy for small files and lossless for perfect quality.
02Does converting between formats lose quality?
Converting to a lossy format (MP3, AAC, OGG) always discards some detail. Converting to a lossless format (FLAC) or uncompressed WAV keeps everything the source had, but cannot recover quality a lossy source already lost.
03What is the difference between a container and a codec?
A codec (MP3, AAC, FLAC, Vorbis) is how the audio is encoded; a container (.m4a, .ogg, .mp4) is the wrapper that holds it. An .m4a file, for example, holds AAC-encoded audio.
04Can I convert several files at once?
One file at a time: convert it, download it, then drop in the next. Because there is no server, there is no per-file quota or upload wait, and the engine stays loaded between files.
05Why does the first conversion take a moment?
The first time you use the tool it downloads the ~10 MB ffmpeg.wasm engine. That happens once and is then cached, so later conversions start immediately.
06What bitrate should I use for a podcast?
For spoken word, 128 kbps MP3 is plenty and keeps files small. Music-heavy episodes benefit from 192 kbps.
07Is there a file size limit?
The practical limit is your device memory, since the file is processed in the browser. Typical songs and podcasts convert with no trouble; very large multi-hour WAVs use more RAM.
08Do I need to install anything?
No. Everything runs in the browser tab. There is no app, no account and no plugin — just the one-time engine download.
Guides
Further reading
- Guide5 min readLossy vs lossless audio: does anyone actually hear the difference?Lossy versus lossless is one of the most argued-over topics in audio. Here is the straight answer: what the difference actually is, when it is audible, and when it honestly is not.Read the guide
- Guide6 min readMP3 vs WAV vs FLAC explained: which should you use?MP3, WAV and FLAC solve three different problems: sharing, editing and archiving. Once you see what each one trades away, choosing the right one stops being guesswork.Read the guide
- Guide4 min readSample rate and bit depth: a plain-English guideSample rate and bit depth are the two numbers that describe uncompressed digital audio. One is how often the sound is measured; the other is how precisely. Understanding them takes the mystery out of “44.1 kHz / 16-bit”.Read the guide
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